Review: Víkingur Ólafsson in Recital
With Ólafsson and Mozart, pianists and their programs are rarely as engrossing.
With Ólafsson and Mozart, pianists and their programs are rarely as engrossing.
Simone Young's first official program includes Fidelio in concert and Mahler Two, which celebrates a return to the Sydney Opera House Concert Hall in July.
Charpentier’s greatest hit and a rarity by Cesti head an eclectic program for Pinchgut Opera in 2022.
Simon Stone's sexting Tristan may be baffling but Skelton, Stemme and Rattle demand to be heard.
Opera lovers can enjoy six new productions and three contemporary works from the Metropolitan Opera, presented in Australian cinemas by Sharmill Films across 2021-22.
Part Scandi-noir thriller, part Ancient Greek drama, Kaija Saariaho's Innocence makes for persuasive music theatre.
Oksana Lyniv and Asmik Grigorian play blinders in Tcherniakov's revenger's tragedy at Bayreuth.
The Dutch composer and musical agitator, whose music crossed boundaries, has passed aged 82.
The $30,000 Conductor NSW Orchestral (Early Career) Fellowship, awarded to Leonard Weiss, will include a year’s activities with Sydney Youth Orchestras.
Anna Melville, former Head of Programming at the ACO, discusses moving countries during a pandemic to take up a role at City of Birmingham Symphony Orchestra, and the challenges for arts programming.
British writer Sir Christopher Hampton discusses his two plays currently running in Australia, and his most important conversations ever.
Alexander Voltz explores one of history's most notorious unsolved crimes.
Likeable and gifted Spanish maestro Jaime Martín should prove a hit with musicians and audiences alike as Melbourne Symphony Orchestra's new Chief Conductor.