Arranging jazz grooves for a classical choir is a difficult brief, writes arranger Naomi Crellin. But worlds can collide.

When it comes to playing Philip Glass, says the violinist, "Your fingers need to be a volcano, but your brain needs to be a freezer.”

The Australian Shakespeare Company is presenting Arthur Miller's classic. It reminds us that civilisation is a fragile thing.

The modular mogul talks about his latest album composed on a 1975 Serge Paperface synth and facing the musical unknown.

The genius of the Baroque takes on the two-fisted king of Tango Nuevo in a new program from Live at Yours. Let's get ready to rumble.

Jonathan Howard on two Elizabethan giants and why you should never pee on someone’s head from the organ loft.

Cameron Lam’s Australian Art Music playlist is all vibes this month, as he explores ambience, mood and grooves across Classical, Jazz and Sound Art.

Composer and educator Liza Lim delves into the music of the late Finnish composer, and shares stories from when they met.

The Noongar composer, conductor and violinist discusses his upcoming world premiere with the Canberra Symphony Orchestra.

Echoing the Baroque, the classical and the conceptually-driven works of Rachmaninov, Nicholas Britell's Succession score is one for the ages.

Personifying the maxim that women need to work twice as hard as men for the same reward, Joy McKean was an inspirational figure in Australian music.

Composer Nic Courto talks about the world premiere of his latest work, Afterlife, and having his brain frozen in a jar (maybe).