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Classical Music
Live Review

Review: The Art of Fugue (Australian Brandenburg Orchestra & Circa Ensemble)

Eighty-five minutes of breathtaking physical performance combined with exquisite playing of Bach’s supremely intellectual music.

August 6, 2025
Theatre
Live Review

Review: WE’RE ALL GONNA DIE! (La Boite Theatre & Dead Puppet Society)

This Brisbane-centric collaboration mashes personal and ecological grief with outrageous monster mayhem.

August 6, 2025
Theatre
Live Review

Review: Miss Julie (Company 16 & Liminal Space)

An immersive hospo setting for this adaptation of August Strindberg's drama promises plenty but doesn't quite cohere.

August 5, 2025
Chamber, Classical Music
Live Review

Review: Rapture (West Australian Symphony Orchestra)

Rapturous playing by of some of WASO’s finest musicians – who also curated the program.

August 5, 2025
Classical Music
Live Review

Review: Sinfonia Concertante (Tasmanian Symphony Orchestra)

Rossini, Shostakovich and more made totally compelling under the baton of TSO's Eivind Aadland.

August 4, 2025
Theatre
Live Review

Review: Werkaholics (Purple Tape Productions & Belvoir 25a)

A memeable portrait of contemporary digital life, Werkaholics is rich in ideas and has depth beneath the bubbles.

August 4, 2025
Classical Music
Live Review

Review: Shostakovich & Gershwin (Australian Chamber Orchestra)

Alexander Gavrylyuk's speed and strength are showcased in a program combining introspection and melancholy with slapstick energy.

August 3, 2025
Theatre
Live Review

Review: What’s Yours (Red Stitch Actors’ Theatre)

To be or not to be a parent? That is the question in this new Australian play that also explores friendship and relationships.

August 3, 2025
Dance
Live Review

Review: Bespoke (Queensland Ballet)

The program structure could stand a refresh, but the three works included here offer plenty of bang for your buck.

August 1, 2025
Theatre
Live Review

Review: Grief is the Thing with Feathers (Belvoir)

Toby Schmitz is in brilliant form in a role that demands the verbal facility of a performance poet as well as access to deep feeling.

August 1, 2025
Opera
Live Review

Review: The Marriage of Figaro (Opera Australia)

Michael Sumuel, Siobhan Stagg and Kiandra Howarth deliver textbook examples of how to sing Mozart under Maestro Matteo Dal Maso.

August 1, 2025
Chamber, Classical Music
Live Review

Review: Duelling Composers – Staves Drawn! (Australian Festival of Chamber Music)

Liszt vs Brahms! Reich vs Glass! AFCM brings together a selection of works by composers who disliked each other intensely.

August 1, 2025
Vocal & Choral
Live Review

Review: Jane Sheldon: flowermuscle (Phoenix Central Park)

Delicacy, power, ephemerality and endurance combine in Jane Sheldon's live showcase of seven songs from her recent album.

August 1, 2025

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