Review: The Art of Fugue (Australian Brandenburg Orchestra & Circa Ensemble)
Eighty-five minutes of breathtaking physical performance combined with exquisite playing of Bach’s supremely intellectual music.
Eighty-five minutes of breathtaking physical performance combined with exquisite playing of Bach’s supremely intellectual music.
This Brisbane-centric collaboration mashes personal and ecological grief with outrageous monster mayhem.
An immersive hospo setting for this adaptation of August Strindberg's drama promises plenty but doesn't quite cohere.
Rapturous playing by of some of WASO’s finest musicians – who also curated the program.
Rossini, Shostakovich and more made totally compelling under the baton of TSO's Eivind Aadland.
A memeable portrait of contemporary digital life, Werkaholics is rich in ideas and has depth beneath the bubbles.
Alexander Gavrylyuk's speed and strength are showcased in a program combining introspection and melancholy with slapstick energy.
To be or not to be a parent? That is the question in this new Australian play that also explores friendship and relationships.
The program structure could stand a refresh, but the three works included here offer plenty of bang for your buck.
Toby Schmitz is in brilliant form in a role that demands the verbal facility of a performance poet as well as access to deep feeling.
Michael Sumuel, Siobhan Stagg and Kiandra Howarth deliver textbook examples of how to sing Mozart under Maestro Matteo Dal Maso.
Liszt vs Brahms! Reich vs Glass! AFCM brings together a selection of works by composers who disliked each other intensely.
Delicacy, power, ephemerality and endurance combine in Jane Sheldon's live showcase of seven songs from her recent album.