Review: Messiah (Pinchgut Opera)
The fresh sounds, harmonies and improvisations Erin Helyard infuses into this production turn the old into something new and extraordinary.
The fresh sounds, harmonies and improvisations Erin Helyard infuses into this production turn the old into something new and extraordinary.
Online arts platforms blossomed during the COVID lockdowns. Six years later, what's the way forward for them?
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This month’s performance highlights from ABC Classic, independent radio and streaming.
New Goldberg Variations film with Erin Helyard launches an expanded and free-to-access Pinchgut at Home platform.
“An incredible gift at a very important time,” says New Zealand soprano Madison Nonoa.
Discovered in regional UK archives, the printed song and manuscript in Purcell's hand are said to be “highly significant".
A debut orchestral concert, a new staging of Pinchgut's first-ever production and an Australian premiere.
The vocal prowess of Celeste Lazarenko and Morgan Pearse the icing on the cake in Pinchgut's staging of Pergolesi's riotous 'tiny' opera.
Small companies are “vital” to Australia’s arts ecology, given “so much opera is being dictated by finances” higher up the chain, says soprano Celeste Lazarenko.
Overflowing with musical and visual delights, this Fairy Queen is a gorgeous night in the theatre.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
British director Netia Jones brings a hi-tech approach to Pinchgut Opera's The Fairy Queen, but music and story always come first, she tells Limelight.