Percussionist Al Fane talks about '[sound is] A Body in Space', written with composer K. Travers Eira, which is centred on the human body and the physicality of percussion.

Fiona Winning, the curator of Sydney Opera House's UnWrapped, discusses the power of the Sydney Opera House brand to entice audiences to try something a little out of the ordinary.

Composer Kate Tempany discusses her piece Honeyeater, written for trumpeter Nic Corkeron, which mourns the imminent loss of the critically endangered Regent Honeyeater bird.

Composer Andrián Pertout discusses his piece Mīmēsis, written for violist Henry Justo, which draws on Aristotle and the mathematical concept of ‘partitions’.

In the first of a five-part series, learn from the composer and performer about one of the pieces commissioned for The ANAM Set, one of the most ambitious commissioning projects in Australian history.

After its huge success last year, Opera Queensland's ten-day outback Festival returns. We talk to the festival organisers and headline performer Greta Bradman.

The violinist discusses his new group’s origins, the repertoire they most enjoy, their experience at this year's Canberra International Music Festival, and whether a composer can recreate a painting through music.

With Voss about to be revived, Ian Whitney recalls his first encounter with the famous work, and with Richard Meale himself.

New podcast features musical mavericks in conversation.

Joe Chindamo's new concerto for trombone and orchestra is inspired by the nature of duality in the works of Edgar Allen Poe and Carl Jung.

Camerata's 2022 Emerging Composer-in-Residence didn't have to think twice when asked to write a new work based on an iconic Queensland location.

Greg Eldridge argues that with OA and VO looking for new artistic directors, there is much to discuss about the future role of opera companies in Australia.