Review: The First Murder (Pinchgut Opera)
This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.
This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.
Musicals and harbour spectaculars help company recover from multi-million-dollar deficit.
The renowned Australian composer will write the music for a new opera based on Wim Wenders' classic 1987 film.
A new opera confronts our raw history with the highest echelon of Australian performers.
Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.
Opera meets outer space in this cosmic collaboration between science, technology and the arts.
This mini-festival of short works underlines the merits of OA’s Young Artist Program and the career-readiness of its graduates.
With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.
With a highly gifted and vocally balanced cast, this is ensemble performance at its best.
Shipshape and Bristol fashion. No weak links in this WASO Wagner led by British baritone Christopher Maltman.
Sixty projects to share in more than $1 million in funding; State Opera South Australia and Opera Hong Kong to partner up for Hansel & Gretel.
A masterclass in whimsy, humour and quirk, with inspired direction and fine singing.
Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.