Dallas plants its flag with this new live recording of the Ring.

The de Hartmann renaissance continues apace with a fine 20th-century opera.

Erin Helyard on making his UK debut as conductor with Handel’s love-and-sorcery drama Amadigi di Gaula at the Buxton International Festival.

Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.

Brisbane-born soprano Xenia Puskarz Thomas receives $25,000 to support her rapidly-rising international career.

This concert of arias and duets was exceedingly well curated and performed; another feather in the cap for Artistic Director Ana de la Vega.

Ahead of his tour with the Australian Brandenburg Orchestra, Italian baritone Renato Dolcini reflects on his passion for Baroque music and his collaboration with William Christie.

Jake Lyle, who played The Phantom on Sydney Harbour, is one of OA's new Young Artists, who will perform in concert with the graduating class in August.

An unforgettable Australian night of opera inspired by the landscape and spirit of the outback.

The company appeals to youngsters with a major new discount as Music Australia reports a decline in opera attendance.

Log in to read the flipbook version of Limelight's June 2026 magazine.

Ahead of her title-role debut in Opera Australia’s The Merry Widow, soprano Emma Pearson tells us why operetta deserves pride of place alongside opera.