The British pianist celebrates connections found in the most far-flung of places.

Cameron Lam spotlights Change, both musical and environmental, in this month’s playlist featuring Australian Classical, Jazz, and Sound Art releases.

For Alexander Gavrylyuk and Richard Tognetti, duo playing means listening, responding and surrendering to possibility.

Written for Melbourne Chamber Orchestra's violinist Sophie Rowell, Young’s new work finds hope amid environmental uncertainty.

Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.

New rules on generative AI in music send a welcome message to artists, writes composer Alexis Weaver.

In The Enormous Radio, Roslyn Oades and Bob Scott turn a circle of vintage radios into a listening station for the animal world.

Dominic Flynn's new work draws sonic material from a 1830s transcription that "fails to preserve" a traditional Palawa song.

Creative Australia’s National Arts Participation Survey shows conclusively that Australians value culture. Policymakers should do likewise.

Log in to read the flipbook version of Limelight's September 2026 magazine.

In May, Harry Connick Jr. premiered a symphony at Carnegie Hall with Orchestra Victoria. He tells us why it was his most significant performance.

Victorian Opera takes us inside its new adaptation of Helen Garner’s award-winning novel The Spare Room.