Review: Two Blood (Australian Dance Theatre & Kurinji)
Powerful physical performances but one of Australia's most skilled storytelling voices feels reduced to a whisper.
Powerful physical performances but one of Australia's most skilled storytelling voices feels reduced to a whisper.
Two heads better than one: Charmene Yap and Cass Mortimer Eipper head home to WA to take the reins of the company.
From symphonic reinvention to new theatrical worlds, Limelight's September issue spotlights artists reshaping tradition while forging their own futures.
Barrie Kosky's long-awaited Götterdämmerung, new productions from Netia Jones and Damiano Michieletto, and a wealth of opera and ballet stars headline the latest cinema season.
Smaller in scale than Stephanie Lake's recent works but VISTA is nothing less than electrifying.
Violinist-composer Netanela Mizrahi earns nominations across three categories in this celebration of NT creatives both on and off the stage.
Lucy Guerin stepping down as leader of the dance company bearing her name has sent ripples of surprise through Australian performing arts circles.
This triple bill lives up to its name with driving force and exceptional performance.
The acclaimed choreographer relinquishes the artistic directorship of the company that has taken her name across the world.
Over-hasty storytelling mars this ballet version of Shakespeare’s tragedy.
The Australian Ballet's Music Director and Chief Conductor on the music of Aaron Copland and choreographer Justin Peck's captivating Copland Dance Episodes.
Two contemporary dance productions remind us to position ourselves as part of, not separate to, nature.
Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.