Matthew Lutton looks to the otherworldly, surreal and fantastical in his second year as Artistic Director.

Four choreographers unite for a major new work as Rafael Bonachela prepares his final full-length commission as artistic director.

Germany’s leading classical company brings its justly admired production of Petipa’s great ballet to Melbourne 

"Our 75th anniversary is about honouring our past without being held by it,” says Artistic Director Leanne Stojmenov.

An agreeable evening of dance fails to live up to the challenge.

The award-winning Australian choreographer and performer "privileged to build on this enduring home for dance".

The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.

The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.

What Mao’s Last Dancer did next.

Named in honour of Dame Peggy van Praagh and Keith Bain, the two fellowships provide $20,000 each in direct support.

The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.

Alice Topp’s muscular Macbeth turns Shakespeare’s tragedy into a riveting modern political nightmare.