Review: Dracula (West Australian Ballet)
A spectacular Dracula satisfies our yearnings for the darkest stories.
A spectacular Dracula satisfies our yearnings for the darkest stories.
Annual report shows audiences responding to ambitious repertoire but temporary loss of Melbourne home base continues to weigh on box office.
John Cranko’s evergreen masterpiece proves the perfect vehicle for Callum Linnane’s final performances with The Australian Ballet.
Callum Linnane leaves The Australian Ballet for Principal Artist role with Hamburg Ballet.
A compelling triple bill explores mortality through ritual, sculpture and ecstatic movement.
Raewyn Hill, Artistic Director of Perth's Co3 Contemporary Dance, steps away from the company she founded.
Verdi’s emotional journey elaborated with stunning displays of dramatic spectacle, mass choreography and fine voices.
"Forever grateful and so proud": Rafael Bonachela to leave SDC mid-2028.
MEAA says "musicians must not be seen as optional extras"; WA Ballet says union claims are "simply wrong".
Beetlejuice, Victorian Opera's Katya Kabanova and MTC's Rebecca among the award magnets in this year's celebration of Melbourne’s live performance sector.
Shechter is a festival favourite in Australia but this time around, he disappoints.
A gala program avoids most of the usual suspects and introduces new faces.
Glamour trumps intensity in choreographer Jenni Large’s new work.