Review: Top Silk (Ensemble Theatre)
An assured revival reveals the enduring relevance of David Williamson’s 1989 story of ambition and compromise.
An assured revival reveals the enduring relevance of David Williamson’s 1989 story of ambition and compromise.
Truthful characters and good performances keep the audience connected to this high-concept piece about contemporary labour, sexuality and identity.
A compelling chamber Hamlet probes grief and trauma while leaving much behind.
Nathan Maynard's uncompromising drama interrogates history, identity and who belongs within Community.
Lucy Ansell shines in a production whose exceptional craft outweighs its narrative limitations.
Now in its third iteration, this cabaret-circus confection continues to shake its groove thang with its irresistible disco soundtrack.
Joanna Murray-Smith’s farcical adaptation sacrifices Chekhov's emotional depth for superficial comedy.
Reg Livermore's 1970s passion project gets a fresh charge in this deft Vic Opera revival.
The greatest strength of Jane Harrison's new play lies in its refusal to simplify its central figure.
A modestly produced but finely acted Australian premiere finds humour, hope and heartbreak in a royal visit to a Canadian AIDS hospice.
Making her title role debut, Emma Pearson invites us to the Silver Age of Viennese operetta, and the entire company comes to the party.
Violinist-composer Netanela Mizrahi earns nominations across three categories in this celebration of NT creatives both on and off the stage.
Creative Australia funds a pilot program to co-invest in the commissioning, development and presentation of new Australian theatre works beyond the capital cities.