Shake & Stir conjure Bram Stoker's count in a gothic world of shadows and smoke.

Declan Furber Gillick's biting comic portrait of racial and economic exploitation turns the mirror on the arts industry, too.

The 74th Perth Festival combines international music names with First Nations commissions, European theatre and dance, and large-scale works across the city, river and coastline.

For a playwright who has previously commanded the stage with such force, Strong Is the New Pretty feels like a missed opportunity.

Matthew Lutton looks to the otherworldly, surreal and fantastical in his second year as Artistic Director.

This comedy-horror musical in which a group of cheerleaders encounter a slasher feels unfocused, but you can't fault the terrific production.

The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.

Jonathan Biggins talks to Deborah Jones about his new novel, Near Death in Venice  – the first in a cosy crime series.

Monty Python fans will doubtless embrace it, but Spamalot feels dated, not helped by modest production values.

A superb cast makes light work of Mia Chung's knotty portrait of two working-class American families.

Cameron Mackintosh’s acclaimed production returns to Australia for the first time in more than a decade, opening 40 years after its local premiere.

This staging of the 2023 Silver Gull Award-winner reminds us that when it comes to the boys’ club, it’s women who have to clean up the mess.