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Theatre
Live Review

Review: Goodnight Sweet Prince (Sendfor Productions & Old Fitzroy Theatre)

A compelling chamber Hamlet probes grief and trauma while leaving much behind.

August 4, 2026
Festivals, Opera
Live Review

Review: Der Ring des Nibelungen (Bayreuth Festival)

Bayreuth invites Artificial Intelligence into the creative process. The result feels less like innovation than a dumping ground of overwhelming imagery.

August 3, 2026
Opera
Live Review

Review: Young Artists in Concert (Opera Australia)

Incoming and outgoing cohorts unite in a testament to the value of Opera Australia's Young Artist Program.

August 3, 2026
Classical Music
Live Review

Review: Sibelius’s Second (West Australian Symphony Orchestra)

A 20-something Finn made his Australian debut with a national orchestra and closed out the evening as though he owned the place.

August 3, 2026
Classical Music
Live Review

Review: 2026 Winter Gala (Melbourne Symphony Orchestra)

Danielle de Niese and the MSO keep the winter blues at bay with a showcase that aims straight for the heart.

August 3, 2026
Chamber, Classical Music
Live Review

Review: A Tropical Winter’s Journey (Australian Festival of Chamber Music)

Robin Tritschler's luminous Winterreise anchors an emotionally rich AFCM program of old and new.

August 3, 2026
Theatre
Live Review

Review: At What Cost? (Yirra Yaakin Theatre Company)

Nathan Maynard's uncompromising drama interrogates history, identity and who belongs within Community.

August 2, 2026
Classical Music
Live Review

Review: Simone Young & Sheku Kanneh-Mason (Sydney Symphony Orchestra)

Move over Jacqueline. New British cello supremo Sheku Kanneh-Mason’s Elgar is one for the ages.

August 1, 2026
Chamber, Classical Music
Live Review

Review: Wonderful World (Australian Festival of Chamber Music)

Christian-Pierre La Marca takes the lead across a lush playlist with a stark environmental message.

August 1, 2026
Chamber, Classical Music
Live Review

Review: Divine Bohemians (Australian Haydn Ensemble)

An illuminating program uncovers the forgotten Bohemian influences shaping Haydn and Beethoven’s celebrated quartets.

July 31, 2026
Theatre
Live Review

Review: Funeral Flowers (Red Stitch Actors’ Theatre)

Lucy Ansell shines in a production whose exceptional craft outweighs its narrative limitations.

July 31, 2026
Theatre
Live Review

Review: Velvet Inferno (Sydney Opera House & Rix Management)

Now in its third iteration, this cabaret-circus confection continues to shake its groove thang with its irresistible disco soundtrack.

July 30, 2026
Chamber, Classical Music, Festivals
Live Review

Review: A Tale of Two Musicians (Australian Festival of Chamber Music)

Jack Liebeck and Piers Lane's musical chemistry and soulful shaping makes for a engaging, intimate and much appreciated recital.

July 30, 2026

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