• Sign Up
  • Log In
  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Australian Accent
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Guy Noble’s Soapbox
    • Decoding Cultural Leadership
    • All Features
  • Music
    • Opera
    • Guide to Australian Composers
    • Playlists
    • On The Record
    • All Music
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Tours
    • 2027 Orange Chamber Music Festival
  • Subscribe
  • Subscribe
  • Events
  • AFCM Tour
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Subscribe
  • Events
  • AFCM Tour
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Sign Up
  • Log In

  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Australian Accent
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Guy Noble’s Soapbox
    • Decoding Cultural Leadership
    • All Features
  • Music
    • Opera
    • Guide to Australian Composers
    • Playlists
    • On The Record
    • All Music
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Tours
    • 2027 Orange Chamber Music Festival
  • Subscribe
Theatre
Live Review

Review: My Fair Lady (John Frost & Opera Australia)

Julie Andrews' recreation of the legendary 1956 Broadway production is back and it's mostly "abso-bloomin'-lutely loverly".

September 23, 2026
Theatre
Live Review

Review: Lord of the Flies (Theatre Works)

William Golding’s 1950s dystopian novel becomes disturbingly fresh, timely theatre in this bold new production.

September 23, 2026
Theatre
Live Review

Review: The Elevator (Ensemble Theatre)

A smart setup slowly grinds to a halt under the weight of too many ideas.

September 23, 2026
Theatre
Live Review

Review: Luke (Red Stitch Actors’ Theatre)

A sharp premise about truth and storytelling gets lost in increasingly abstract philosophical detours.

September 23, 2026
Theatre
Live Review

Review: Dixon & Daughters (Tiny Dog Productions & Old Fitzroy Theatre)

Deborah Bruce’s play turns a cramped family home into a compelling theatre of secrets and trauma.

September 22, 2026
Classical Music
Live Review

Review: Saint-Saëns’ Cello Concerto (Tasmanian Symphony Orchestra)

Nodoka Okisawa's TSO debut concert as impressively varied as Hobart’s Spring weather.

September 22, 2026
Theatre
Live Review

Review: Girls and Boys (Sydney Theatre Company)

Some critics have pointed to the fact that this is a one-sided story. But who could stomach the right of reply?

September 21, 2026
Instrumental, Vocal & Choral
Live Review

Review: Earth Flow (State Library New South Wales)

A compelling narrative of Country, hope, community and song.

September 21, 2026
Classical Music
Live Review

Review: Umberto Clerici conducts Dvořák (Sydney Symphony Orchestra)

Ligeti’s Romanian rhythms and Dvořák’s pastoral exuberance shine in a finely judged SSO performance.

September 21, 2026
Festivals, Theatre
Live Review

Review: Scorched Earth (Attic Projects & Brisbane Festival)

A thrilling dance theatre work about place, power, and possession in rural Ireland.

September 21, 2026
Chamber
Live Review

Review: Attenborough’s Ocean in Concert (Camerata – Queensland’s Chamber Orchestra & Brisbane Festival)

Camerata’s poignant performance drowned by the ambient noises of the ocean and submerged under an overwhelmingly bleak narrative.

September 20, 2026
Theatre
Live Review

Review: The Homecoming (Greg Carroll, Margaret Goy & Australian Shakespeare Company)

Honest old school staging allows a fine cast to explore the hazardous currents and depths of Harold Pinter’s mid-'60s masterpiece.

September 20, 2026
Theatre
Live Review

Review: Ballkids (fortyfivedownstairs)

Liv Satchell's two-hander captures the pain and joy of growing up middle class and Millennial.

September 19, 2026

Posts pagination

1 2 3 … 388 Next

Suite 606, Level 6
84 Pitt Street
Sydney NSW 2000

Contact Limelight

Quick Links

  • Subscribe
  • Back Issues
  • Advertising
  • Licensing
  • Help Centre
  • Editorial Policy
  • Privacy Policy
  • Contact

Arts news delivered to your inbox

Our free Weekly Newsletter delivers the latest arts news, reviews and features to your inbox each Saturday.

Sign up

© 2026 Limelight Arts Media Pty Ltd

Search