Review: Pride and Prejudice* (*sort of) (Neil Gooding Productions & Woodward Productions)
A clever Jane Austen reinterpretation with laughs and karaoke, this West End hit finally makes its Australian debut.
A clever Jane Austen reinterpretation with laughs and karaoke, this West End hit finally makes its Australian debut.
Deft choices do justice to Brahms’ very “human” requiem. What more could one ask for?
Skilfull direction and performances light up an odd-couple comedy about chalk-and-cheese housemates.
German cello star Maximilian Hornung’s Australian debut solo recital captures the spirit of Casals.
A vitally important showcase of women composers fills a gap in music presentation.
Over-hasty storytelling mars this ballet version of Shakespeare’s tragedy.
Suspended between cabaret intimacy and queer spectacle, House of Rot misses the opportunity to connect.
A jazz survivor continues the fight with songs of conscience, compassion and conviction.
Baritone Renato Dolcini leads a memorable journey through the Italian Baroque, from Florence to Naples, Rome to Venice.
An ancient Egyptian mystery, a Beethoven blockbuster and some mellow cello – this SSO concert has it all.
Sad songs tenderly unpacked by two of Melbourne's finest.
A playful evocation of homophobia in the early 2000s by an emerging writer to watch.
This classic of contemporary Australian theatre explores the marginalisation and mistreatment of people with disabilities.