Review: My Fair Lady (John Frost & Opera Australia)
Julie Andrews' recreation of the legendary 1956 Broadway production is back and it's mostly "abso-bloomin'-lutely loverly".
Julie Andrews' recreation of the legendary 1956 Broadway production is back and it's mostly "abso-bloomin'-lutely loverly".
William Golding’s 1950s dystopian novel becomes disturbingly fresh, timely theatre in this bold new production.
A smart setup slowly grinds to a halt under the weight of too many ideas.
A sharp premise about truth and storytelling gets lost in increasingly abstract philosophical detours.
Deborah Bruce’s play turns a cramped family home into a compelling theatre of secrets and trauma.
Nodoka Okisawa's TSO debut concert as impressively varied as Hobart’s Spring weather.
Some critics have pointed to the fact that this is a one-sided story. But who could stomach the right of reply?
A compelling narrative of Country, hope, community and song.
Ligeti’s Romanian rhythms and Dvořák’s pastoral exuberance shine in a finely judged SSO performance.
A thrilling dance theatre work about place, power, and possession in rural Ireland.
Camerata’s poignant performance drowned by the ambient noises of the ocean and submerged under an overwhelmingly bleak narrative.
Honest old school staging allows a fine cast to explore the hazardous currents and depths of Harold Pinter’s mid-'60s masterpiece.
Liv Satchell's two-hander captures the pain and joy of growing up middle class and Millennial.