One of Melbourne’s most distinctive contemporary musicians, Xani Kolac is "quite unlike anyone else in the Australian music landscape".
Playwrights Melanie Tait, Michelle Law and Alberto Di Troia to compete for QPDA honours.
The future is bright for orchestras, argues Samuel Cairnduff – but first they must align artistic values with organisational practices and evolving social responsibilities.
The American composer withdraws his 'Lincoln' Symphony from its world premiere citing a conflict of values.
Punjabi-Australian vocalist Parvyn Kaur Singh and multi-instrumentalist Josh Bennett are among the highlights of September's Barossa Weekend of Music.
Co-director and cellist Chris Howlett on how the Bendigo Chamber Music Festival gives back to a mighty, art-loving regional community.
Tristan Coelho introduces his new composition, written for his wife, harpist Emily Granger, and the Queensland Symphony Orchestra.
Jeneba Kanneh-Mason chats about her new album, Jane Austen’s Piano.
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Ambition, cultural capital and cheap wine collide in a David Wiliamson comedy that leaves the ladder in place.
Elijah Moshinsky’s iconic production still works its magic, with stunning voices and a sublime reading of the score by maestro Tahu Matheson.
A genius stroke of theatrical programming – and a show that wins over its audience in (not-so) straight sets.
LACRIMA reminds us that behind every stitch lies a story and quiet sacrifices that history too often forgets.
Evocative melodies, immersive soundscapes and flawless technique keep the audience rapt and on its feet.
A celebration, concert-style, of the remarkable songbook of one of the world's great divas.
Humperdinck’s fairy-tale opera has captivated conductor Tahu Matheson since childhood. Now he returns to it with fresh insight.
Metal-enthused Hirofumi Uchino, visual musician Tim Gruchy and cellist Freya Schack-Arnott discuss their “retro-futurist hootenanny".
Few bodies of music concentrate so much expressive power into so little space as Bach’s motets. Bach Akademie Australia's Madeleine Easton explains her approach.
Set in modern-day Seoul, Simon Stone’s The Cherry Orchard finds new urgency in Chekhov’s portrait of a society on the brink.
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This month, Cameron Lam’s first Australian Art Music playlist on Bandcamp showcases 13 pieces, new and old, from across local Classical, Jazz, and Sound Art.
Ahead of his 2026 tour, the hugely popular classical composer talks about his deep connection to Sydney's Eastern Suburbs and reveals how he paints with music.
Director Lee Lewis talks why she believes Yasmina Reza’s play ART is “lightning in a bottle”, particularly for the men in the audience.
A fascinating tour of styles and scores presented with the FBO’s customary flair.
The future is bright for orchestras, argues Samuel Cairnduff – but first they must align artistic values with organisational practices and evolving social responsibilities.
Beauty and power triumph in Gillham’s Chopin Etudes.
Punjabi-Australian vocalist Parvyn Kaur Singh and multi-instrumentalist Josh Bennett are among the highlights of September's Barossa Weekend of Music.
Historically informed performance, bold programming and new recordings shape the Australian Romantic & Classical Orchestra's 2026 season.
Pianist-lawyer Wee plans his flag firmly atop Beethoven’s Himalayan peaks.
Elijah Moshinsky’s iconic production still works its magic, with stunning voices and a sublime reading of the score by maestro Tahu Matheson.
Humperdinck’s fairy-tale opera has captivated conductor Tahu Matheson since childhood. Now he returns to it with fresh insight.
In a triumphant homecoming, soprano Rebecca Nash reinvents Turandot for Ann Yee's centenary production.
Musically ravishing scenes of idyllic pastoral life, nymphs, fairies, love and courtly wit open the Mornington-Peninsula-based festival in fine style.
Opera Australia begins its 70th anniversary with the jewel in its crown restored and a musical reading to match.
Franco Zeffirelli's Aida will be part of the 2027 Adelaide Festival, but no word yet on its stars.
Ambition, cultural capital and cheap wine collide in a David Wiliamson comedy that leaves the ladder in place.
Playwrights Melanie Tait, Michelle Law and Alberto Di Troia to compete for QPDA honours.
A genius stroke of theatrical programming – and a show that wins over its audience in (not-so) straight sets.
LACRIMA reminds us that behind every stitch lies a story and quiet sacrifices that history too often forgets.
A celebration, concert-style, of the remarkable songbook of one of the world's great divas.
Dance might not be his forte, but Dean Nash spins great stories about his quest to crack the musical theatre scene.
"These remarkable artists arrive at a time of reflection," says SDC Artistic Director Rafael Bonachela.
The third chapter in Davide Di Giovanni’s car-park series is a paragon of tactical urbanism and contemporary dance.
A tribute to Dharug culture is touching but uneven.
Hundreds surrender to the bliss of all-embracing dance, music and togetherness.
A generalisation-busting provocation of the most joyous kind – kinetic, embracing and celebratory.
Our readers gravitated to daring premieres, festival feats and revisited classics alike.
A fascinating tour of styles and scores presented with the FBO’s customary flair.
Beauty and power triumph in Gillham’s Chopin Etudes.
Pianist-lawyer Wee plans his flag firmly atop Beethoven’s Himalayan peaks.
Classy accounts reveal rarities deserving a more permanent place in the repertoire.
Katie Bray’s Weill odyssey is as powerful as it is poignant.
A solo recital debut well worth the wait from an exciting French soprano.
Explore the guide and listen to our 25 in 25 playlist of Australia’s favourite art music.
Our specialist writers analyse this year’s offerings in theatres and concert halls.
Find out what’s happening this week and add your own events to our free online calendar.
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