A new era for Lachlan Skipworth
There is a sense of artistic transformation in the Perth-based composer's new album of chamber works.
There is a sense of artistic transformation in the Perth-based composer's new album of chamber works.
A conductor and composer map out a journey through Mozart's final masterpiece for Sydney Philharmonia Choirs.
Should Victorian-era melodrama give way to deeper explorations of the author's intent in staging legacy operas?
After a very long time away, the Sydney Symphony Orchestra’s Concertmaster returns to the stage this month for the Orchestra’s Autumn Season.
Prayer for the Living features music by Vasks and Ravel alongside Boulanger and Poulenc.
In an opinion piece in the Sydney Morning Herald, Cat-Thao Nguyen said she left OA's Turandot after Act 1 feeling "utterly sick" at the racism. We look at the complex issue.
Executive Director Janine Collins discusses the aims of the initiative and the inaugural tour by the Acacia Quartet opening tonight.
The gut-string evangelist explains her trio's blend of ancient, modern, and just a bit of trad.
Two Australian composers, one from Ukraine, share their outrage at Russia's invasion of their country, and suggest ways Australian arts audiences can help.
After two years deprived of live music, those in the room for an open rehearsal with the MSO's new Chief Conductor crackled with anticipation.
Lynden Barber finds Australian elements increasingly popping up in streaming TV.
Stefanie Jones discusses landing the role of Mary Poppins after a whirlwind trip to London where she auditioned on the West End stage in front of Cameron Mackintosh.
Clive Paget talks to the Norwegian soprano about her debut Decca song recital, featuring music by her famous compatriot, Edvard Grieg, the challenges of tackling Norwegian repertoire and how she literally ambushed Leif Ove Andsnes to get him onboard for the project.