The gut-string evangelist explains her trio's blend of ancient, modern, and just a bit of trad.

Two Australian composers, one from Ukraine, share their outrage at Russia's invasion of their country, and suggest ways Australian arts audiences can help.

After two years deprived of live music, those in the room for an open rehearsal with the MSO's new Chief Conductor crackled with anticipation.

Lynden Barber finds Australian elements increasingly popping up in streaming TV.

Stefanie Jones discusses landing the role of Mary Poppins after a whirlwind trip to London where she auditioned on the West End stage in front of Cameron Mackintosh.

Clive Paget talks to the Norwegian soprano about her debut Decca song recital, featuring music by her famous compatriot, Edvard Grieg, the challenges of tackling Norwegian repertoire and how she literally ambushed Leif Ove Andsnes to get him onboard for the project.

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Opera’s gendered violence is a complex issue, with no easy fix 

Why has classical music been so slow to incorporate electric instruments?

Once hugely popular, now rarely seen, Halévy’s La Juive returns to the Australian stage.

 Why Finnish concert pianist Paavali Jumppanen was drawn to ANAM.

Musicals, opera, film scores, classical guitar and the incomparable Stephen Sondheim are all part of the rich musical tapestry that inspires the State Theatre Company South Australia Artistic Director.