Andrew Ford’s new project proves the right idea for strange times.

Find out what's on stage – and streaming online – in January & February from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

Steve Dow explores the history of Adelaide's Her Majesty's Theatre and its latest renovation, which fuses the old and the new.

Yvonne Frindle investigates why Margaret Sutherland's forward-looking orchestral composition has been so unjustly ignored.

You can’t ‘fake news’ your way out of a bad performance, which is why many musicians suffer the curse of perfectionism, says Guy Noble.

Let’s do away with the label ‘minimalism’, says Robert Veel.

With the new Melbourne Conservatorium set to be an enduring testament to his career, Australian composer and academic Barry Conyngham has finally retired – though he’s still writing music.

Principal Oboe with Sydney Symphony Orchestra, Diana Doherty isn’t sure if she is in love with her instrument, but she can’t imagine life without it.

This month’s concert highlights from ABC Classic, independent radio and streaming.

The Artistic Director of Queensland Theatre salutes a primary school music program, which has proved a real gift for life.

Ahead of his performance as Bluebeard for Opera Australia, the bass tells Limelight about the challenges of the role, singing in Hungarian, and his casting as Wotan in the upcoming Ring Cycle.

From Montéclair to Martinů, lesser-known works are much in vogue as the new year gets into its stride.