Affectionately known as ‘Frosty the Showman’, the impresario, who is currently co-producing Pippin, explains why classic musicals feature large in his life and work.

Highlights coming up in online streaming as well as on ABC Classic and the independent radio stations ArtSound, Fine Music Sydney, 3MBS, 4MBS and 5MBS.

Sexual freedom and the subconscious in Shakespeare’s A Midsummer Night’s Dream.

Find out what's on stage – and streaming online – in January & February from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

Natalie Aroyan and Diego Torre will reunite as Verdi lovers when Ernani has its first Sydney Opera House outing.

David Hallberg talks to Deborah Jones about his plans for The Australian Ballet, about holding the audience’s hand when presenting unfamiliar choreography, and about keeping the spark in classical ballet alive.

What to spend your Christmas money on? Try some Trifonov, or take a punt and discover Thalberg, Eccles or Paul Ben-Haim.

The video game industry now dwarfs both the film and video streaming industries, bringing music to millions around the world. Angus McPherson speaks to the composers and conductors who are making their mark on the genre.

Classical guitarist Timothy Kain – who turns 70 in January – sees himself as a performer first and a teacher second, but he excels at both.

The precious time and space, unknown pathways and new connections can lead to magic, says Aviva Endean.

Catch up on what's been in the Limelight with the top arts stories to recently make headlines.

Gillian Cosgriff explains how a creative collective formed during COVID has launched a podcast. In the first series, Bert LaBonté tells the story of the still birth of his daughter Meg.