Roland Peelman traces the history of the black voice in classical and contemporary music, and explains why George Floyd's final words speak to an uncomfortable truth we cannot hide from.

In this week's column, Angus McPherson takes a look at Melbourne Digital Concert Hall's first international satellite concert, The Academy of St Martin in the Fields' new streaming series, and some cute classical pet pics.

Clive Paget recommends a week with the Vienna State Opera, Glyndebourne's Vanessa, and asks who's afraid of Arnold Schoenberg?

This week, Lynden Barber reviews MotherFatherSon on iView, Filthy Rich and Homeless on SBS On Demand, and Nuri Bilge Ceylan's beautifully shot film The Wild Pear Tree on Stan.

This week, as Black Lives Matter protests continue, Dr Nick Gordon looks at some of the work by African American artists that galleries have made available online.

This week Deborah Jones recommends a group of works from Alvin Ailey American Dance Theater, Cuatro from SDC and SSO, and La Sylphide from Perm Opera and Ballet Theatre.

This week Jo Litson recommends Claire Foy and Matt Smith in Lungs live streaming from the Old Vic, The Wiz Live!, Nathan Lane in The Nance for the Lincoln Center, and The Dapto Chaser on ABC Arts iView.

In this week’s column, Angus McPherson’s takes a look at the Australian Chamber Orchestra’s celebration of Richard Tognetti’s 30 years as Artistic Director, a second Bang on a Can Marathon, and the ‘Global Pandemic Edition’ of 84 Pianos.

Sydney Symphony and Sydney Dance Company have collaborated on a new online series. Oboist Diana Doherty and dancer Charmene Yap discuss working on the project.

Clive Paget recommends an Australian Butterfly, a resurrected Austrian miracle and six of the best from Belgium.

In this week's column, Lynden Barber takes a look at Operation Buffalo, Jeffrey Epstein: Filthy Rich as well as Sydney Film Festival's digital offerings.

All ticket proceeds will go directly towards supporting the artists, Artistic Director Alex Raineri says of the festival’s third iteration, which will be delivered entirely online.