High Octane: A Dance Manifesto for a Burned-Out Nation
Emma Harrison's High Octane is women wielding their bodies as engines of defiance against the patriarchy, against capitalism.
Emma Harrison's High Octane is women wielding their bodies as engines of defiance against the patriarchy, against capitalism.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Limelight puts the pedal to the metal with a list of the celebratory events happening near you for World Piano Day.
Cate Whittaker gives a glimpse into HerStory Arts Festival, a brand new event celebrating women in theatre, poetry and visual art.
Brisbane-based Clocked Out use chemical compositions as rhythms and perform with plastic implements in a new project called Peak Plastique.
From Stravinsky to Star Wars? What used to be thought of as a gateway to 'proper' symphonic music is now a mainstay of orchestral programming.
Orange Chamber Music Festival's Cultured program offers a free day of events that captures the spirit of a regional city.
Log in to read the PDF version of Limelight's April 2025 magazine.
Ahead of performances at the Canberra International Music Festival, French bagpiper Erwan Keravec talks about expanding the reach of his instrument.
On the 150th anniversary of Ravel's birth, Robert Treviño and Bertrand Chamayou talk to us about why his music is so unique and widely loved.
They say it takes a village to put on a show, let alone a festival. That’s certainly true when it comes to Handa Opera at Millthorpe.
Screenwriter Peter Duncan, director Kriv Stenders and actor Richard Roxburgh talk about making the new Australian movie The Correspondent.
Liza Lim talks to Maddy Briggs about her curatorial vision for the Melbourne Symphony Orchestra’s 2025 Metropolis Festival.