A Mozart merry-go-round in Tasmania
The Director of Tasmanian Chamber Music Festival Allanah Dopson about a unique concert carousel that has audiences delighted.
The Director of Tasmanian Chamber Music Festival Allanah Dopson about a unique concert carousel that has audiences delighted.
The actor decided to make a documentary about mental health in the entertainment industry, screening on ABC, after his own struggles with depression.
Richard Wagner said he wrote music with an exclamation point. Isn’t the dramatic soprano the exclamation point? asks Nina Stemme. The world’s reigning dramatic soprano talks to Jansson J Antmann ahead of her much-anticipated return to Hobart for a Wagner Gala with John Lundgren.
Sukhjit Kaur Khalsa’s show about growing up Sikh in Perth serves up a musical feast.
Got an opinion? We'd love to hear it! Every issue, the Letter of the Month wins a fantastic release from ABC Classic.
This issue features the young Australians destined for greatness, Nina Stemme on Wagner's heroines, interviews with Katie Noonan, Donald Runnicles and more.
Steve Dow looks at the challenges facing small to medium arts companies when it comes to venues and funding.
The composer and broadcaster tells us about his new duet for violinist Tor Frømyhr and cellist David Pereira, and why his dedication to Kim Williams comes with an apology.
Performance spaces are being redeveloped and built all over the country. Steve Dow charts the changes happening to mainstage venues, and explains what this flurry of architecture will mean for classical music and the performing arts.
Guy Noble reflects on our astounding luck to live on a stable planet and the perspective that gazing at the universe brings.
The Adelaide-based video game composer tells us about how he created the atmospheric music for the award-winning indie game Hollow Knight.
Christopher Watson, Director of Music at The Choir of Trinity College, Melbourne, discusses Land of Dreams, Limelight's Recording of the Month for October.
The Kronos Quartet will perform a “live documentary” at next month’s Melbourne International Arts Festival. But what is it? A concert, a film or a lecture? Ben Wilkie explores the project, which defies easy categorisation.