It may be 66 years since a British monarch has been crowned, but that’s not stopping Paul McCreesh. The Gabrieli Consort director discusses the last four coronations and how he’s recreated a fantasy version out of the best bits of each.

Off with the screens and devices (except the speakers) and on with the classical music for arguably the most exquisite third of your life’s journey: sleep.

The finalist in the 2016 Sydney International Piano Competition tells us about his whirlwind last three years ahead of his upcoming Australian tour.

The passionate art dealer and major arts patron talks about discovering the world of music, which began for him with piano, evolved into a love of musicals and opera, and now takes in chamber performance.

Performer-composer Katia Beaugeais discusses her collaborations with other composers, developing new ways of playing the saxophone, and training like an athlete to circular breathe for seven minutes non-stop.

The renowned German-Canadian cellist tells Jo Litson about using visualisation to tackle stress, his electric cello, and balancing the risks from diving and mountain biking with music.

The Geelong Gallery celebrates the 50th anniversary of the Moon Landing.

The Canadian pianist and composer tells us about his new recording with Chineke! which features his own compositions alongside Gershwin's Rhapsody in Blue.

Was it parochialism (as some have claimed) or acknowledgement of a groundbreaking moment in Australian theatre that saw Counting and Cracking win Best Play?

Conductor and Artistic Director of Sydney Chamber Opera Jack Symonds discusses Elliott Gyger’s new opera, an adaptation of the beloved Peter Carey novel Oscar and Lucinda.

The actor reflects on a childhood spent around the record player listening to opera, falling in love to the sounds of Aretha Franklin and Frank Sinatra, and a fascinating musical lineage.

Premiering in Townsville, Connor D’Netto’s new string quartet is another step closer to completing a life-long musical bucket list.