The flautist, who juggles a gig with the Berlin Philharmonic and a solo career, talks about old flute favourites and pinching a violin hit. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
This weekend the Hydro Majestic hosts a two-day festival of opera and chamber music with accompanying food and wine. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
“What is the point of making music if we are not using it to move people?” the cellist asks. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
For the Ten Pound Pom turned ABC Classic FM broadcaster, Canowindra’s Baroquefest is one of many passions. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Domenico Dragonetti was so mad about his dolls they even got front row seats at his concerts.
Ahead of Australian cinema broadcasts of Titus Andronicus, the RSC’s David Troughton talks body counts and blood bags. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The terms ‘new music’ and ‘contemporary classical music’ are now redundant. For John Davis, ‘art music’ is a better alternative.
There’s plenty of evidence to indicate engaging in the arts is beneficial to mental health, says Festival Director Jill Bennett. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Adam Blanch has created a new ballet to Sculthorpe’s Earth Cry, with inspiration too from Hitchcock’s The Birds. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of Sydney Chamber Choir’s Dido & Aeneas, the conductor delves into the music of Purcell, Monteverdi and Gesualdo. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Dean Bryant and Andrew Hallsworth on the timeliness of Sondheim's musical about people who tried to kill US presidents.
He led a modernist Renaissance in Scotland, premiering Bartók and Hindemith, but his own music has been overlooked. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Engineers at Warner Classics have striven to address some tricky recordings. So have they succeeded?
