David Lang’s Pulitzer Prize winning Little Match Girl Passion is Australia bound, but is it opera? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
"Composers Doing Normal Shit" on Tumblr has caused an Internet frenzy, highlighting the normality (and craziness) of musical lives.
Serbian-American pianist talks about left-handed repertoire and the influence of Paul Wittgenstein Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Or how online arts reviews have the potential to become the hot new place for musical lonely hearts. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Melancholic French composer Ernest Chausson’s declared wish was “to write one page that enters the heart”. In fact, he wrote many.
Judith Clingan’s Golden Jubilee celebrated in three day festival at Canberra’s Albert Hall Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The master of Lübeck was so original that JS Bach felt compelled to walk hundreds of miles to hear him. Explore one of choral and organ music’s early geniuses.
Iconic Australian pianist returns to Canberra with provocative concert series celebrating women composers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
New Melbourne trio to explore the hidden impulses of Russian classics in debut concert. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Hear Guy Noble as you never have before in this preview of The Guy Noble Radio Show. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
How did viol guru Jordi Savall find himself attempting to reproduce the 3,000-year old musical history of Jerusalem? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The pianist tells us why she likes to mix up the preludes and fugues of Shostakovich and Bach.
The Sydney-based composer and arranger on translating the much-loved Australian film for the stage. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
