Australia’s top coloratura sings Mozart and talks training, top notes, bel canto, bosoms and Bonynge. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Sitkovetsky trio prove three will be company when it comes to Carl Vine’s 60th birthday gift to Musica Viva. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Sydney Dance Co’s AD used to chose Madonna over flamenco, but nowadays it’s classical that sets his toes tapping. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
What was cooking (and what was dished up cold) during the first week of Adelaide’s Fringe Festival. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Spirits were high – and so too were the seats at Musica Viva’s first Tweet Seat concert. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Covent Garden’s Tsar brings Eugene Onegin to Australia and talks Tchaikovsky, childhood and the future of opera. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Wagnerian soprano who thought she'd never sing again is looking at a fuller diary than ever.
ABC Classic FM’s Julian Day spoke to all-round musician Bryce Dessner ahead of his Perth Festival classical gig. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Anna McMichael fills us in on her new CD of lullabies, Close your Eyes and I’ll Close Mine.
One of the most distinctive and original voices of Modernism, Ligeti was complex, clever and challenging, yet surprisingly down-to-earth.
Flautist Janet McKay lifts the lid on the collaborative process ahead of her Significant Other concert. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
So how did Opera Australia’s Ring Cycle measure up against the great productions of history?
The music of John Williams deserves to be heard in the concert hall, says the SSO’s new Chief Conductor. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
