What the magnetic cellist learned from Anne-Sophie Mutter and Msitislav Rostropovich, and how he hopes to pass some of that on. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The finest keyboard player of the Tudor age, Gibbons was also the creator of wonderfully idiosyncratic music.
Could listening to The Rite of Spring for 38 days drive a music critic to distraction? As Limelight’s sacrificial guinea pig, I found out. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
South Australia has been spoiled at this year’s Come Out Festival, and it’s not just the kids who’ve had all the fun. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The mezzo soprano finds herself on top for once as she goes back to basics with an original instrument Norma. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The 18th century symphony in Holland? It was up there with London, Vienna and Mannheim. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of her Australian dates, the German violinist talks music, Mendelssohn and staying up late with Ivry Gitlis.
Amidst the plethora of centenary celebrations, let’s not forget an Australian who touched the lives of thousands. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Four projects, two couples, one ensemble – it’s a full-time juggling job for a quartet of Australia’s busiest musicians. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
ABC’s Fran Kelly gets it warts and all from the director of The Great Gatsby.
South Australia’s arts festival for young people is about to begin. But why is Adelaide keeping so quiet about it? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Classically trained, I forsook opera to become a pop singer. After a long conversion I’ve found my way back to the light.
How do young players deal with the generation gap between themselves and their audiences? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
