I Fagiolini may be called “The Little Beans” in Italian, but they make a big, beautiful choral sound. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ludovic Bource's acclaimed score for The Artist draws as much from Brahms as from Hitchcock.
These intrepid early music singers compare their sound to a string quartet’s – a match made in heaven for the ACO. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
What are the Slovenian conductor’s big plans for Australia’s smallest state orchestra? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The conductor of England’s greatest Baroque choir explains why they’d be lynched if they performed Allegri’s Miserere as it was written. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Canadian ensemble Tafelmusik play the music of the spheres, with a little help from Galileo. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The American pianist on rage, bizarreness and “good cop/bad cop” in Beethoven. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Australian composer drew on the Black Saturday tragedy for his collaboration with Graeme Murphy.
They look weird, sound weird, and many were invented by weirdos... some here in Australia.
Richard Bonynge gives his personal account of the struggles and triumphs of his late wife, La Stupenda.
Strauss’s Elektra is the Perth Festival’s most bloodthirsty offering.
Bernstein's masterpiece screens at the Sydney Opera House with live orchestral backing.
Is this controversial piece of music theatre a masterwork for our times? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
