How does the music of John Williams and Justin Hurwitz evoke a sense of nostalgia in The Fabelmans and Babylon?

Ahead of his first dates in Australia as a solo composer-pianist, Stephan Moccio unpacks the songs and the music that moves him most.

Though she never pursued a musical career, Louise Hanson-Dyer's patronage and passion has had a lasting effect.

Mat Watson's idiosyncratic approach to electronic performance, composition and improvisation is rooted in the landscapes of his childhood.

They say the apple doesn't fall far from the tree. Peter and Tamsin Carroll, stars of Belvoir’s Into the Woods, are a case in point.

For much of 2022, Jacqui Dark was absent from the stage and it wasn’t clear if she would return. Her new show celebrates the friendships that helped bring her back.

Clive Paget caught up with the personable British baritone to unpack his enviable reputation as a singer and orchestrator.

In what amounts to a musical dissection, Of the Body traverses sex, sensuality, the senses and more.

A choreographer, Marina Mascarell is accustomed to have others do the moving for her. But what, asks Limelight, are the pieces of music that move her?

Cameron Lam explores trios across jazz, classical, and experimental music in this month's Australian Art Music playlist.

It’s time to move beyond “special programs” and one-off celebrations for female composers, argues Liza Lim.

The saxophonist and composer talks about his new concerto for baritone saxophone to premiere at Orange Chamber Music Festival, and how its audience can help.