This month, Roderick Williams gussies up English songs, Ravel and Arnold receive ardent advocacy, and a trio of suppressed Jessye Norman recordings sees the light of day.

David Harrington, the founder of the Kronos Quartet, discusses the ensemble's history, ongoing collaborations, social conscience and final tour of Australia.

Composer Nico Muhly has no idea what he will be doing in one of his upcoming Tasmanian concerts. And that’s the way it’s supposed to be.

The pianist talks about her upcoming collaboration with composer Robert Davidson, a work weaving in the voices of pioneering women.

Relaxed, relevant and flexible. Classical music programming needs to move with the times, says conductor Vladimir Fanshil.

Making its debut during WorldPride 2023, CAMP bends time, fact and fiction into a celebration of the activists behind the push for gay rights in the 1970s.

"It is what I burn for, it is what I breathe." A new documentary, Knowing the Score, brings the audience up to date with conductor Simone Young.

Cameron Lam continues his instrument-focused series in this month’s Aussie Art Music playlist, with a spotlight on the piano.

Todd Field’s TÁR shines an uncomfortable light on some of the social and political dynamics of the world in which it is set, argues Peter Tregear.

Time and tides are explored and celebrated in SIMA's adventurous Jazz: NOW summer festival.

Solitude and sacrifice. Ahead of his Melbourne and Sydney appearances, tenor Michael Fabiano reveals what it takes to bring a character to life.

Eri Hotta's new book about Shinichi Suzuki and his approach to early childhood musical education is about to hit bookstores. Read an extract here.