Review: Maria (Pablo Larraín)
It’s difficult not to be swayed by Pablo Larraín’s adoration and Angelina Jolie’s star power, even if the film reveals little new about Maria Callas.
It’s difficult not to be swayed by Pablo Larraín’s adoration and Angelina Jolie’s star power, even if the film reveals little new about Maria Callas.
This juicy dramatic thriller, set in the Vatican, has a carefully handled zinger of an ending.
Kate Winslet is at her powerful best in the story of Lee Miller, the pioneering war photographer.
Jon Bell’s First Nations suspense drama is disquieting at times, but not scary enough, despite its top cast.
Ian McKellen excels in this twisty-turning tale of a vitriolic theatre critic who will stop at nothing to stay in the limelight.
Submarine movie jollies aside, Italy's Das Boot feels weighed down by a sense of purpose lying outside of the drama itself.
Midas Man fumbles a golden opportunity to tell us what we don't know about the tragically short life of Beatles manager Brian Epstein.
The elderly vigilante genre is rarely as charming as Josh Margolin’s movie starring June Squibb.
Immoral or understandable? Catherine Breillat leaves it up to you to decide.
There are times when this examination of early '80s movie celebrity begins to look like a grandiose exercise in self-therapy.
This recent Spanish Film Festival standout is a powerful reminder that the scars of Spain’s 20th century history are everywhere.
This unflinching documentary by director Irene Taylor captures the Quebecois singer’s struggle with a career-ending condition.
A winning central performance and the music of Ravel grace this appealing biopic about a conductor trying to beat the odds stacked against her.