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Christmas & Puerile Pollies

Back at the beginning of the 21st-century when I presented the Breakfast program on ABC Classic FM, we used to begin each session with the music of JS Bach. Our listeners cited it as a civilising influence, and indeed the order and essential decency of Bach’s music made it a great way to start the day.There are a few other places that could do with the odd Prelude and Fugue in the morning. Let’s start with Federal Parliament. There is a cacophony in the national capital. Our political discourse is like some horrible contemporary work of crashing and snarls, shouting and cat calls; verbal abuse that wouldn’t be tolerated in a school debating competition, yet is witnessed every week in Canberra. We’re not anywhere near the amazing riots and brawls seen in the Taiwanese and Korean parliaments, with shoes flying through the air and elected representatives choking each other, but it will only be a matter of time before the Member for Warringah leaps across the chamber in his bike shorts and has to be restrained by the Treasurer. I blame both sides – and I fear for the Speaker’s health. Harry Jenkins looks like prime cardiac arrest… Continue reading…

September 7, 2012
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Opera: It’s not over until…

It seems that half of Opera Australia’s singers are off to Weight Watchers after the Artistic Director Lyndon Terracini said fat singers need not apply. “If you’re seeing a couple making out and one of them is obese, who wants to watch that?’” he says with a theatrical grimace. “It’s obscene. You just think, ‘Jeez, for Chrissakes, don’t let the children see that’,” he told the Sydney Morning Herald in July. There is no physical reason why opera singers have to be fat – look at Maria Callas, a rotund singer who lost all the weight, looked magnificent and could still fill the Royal Opera House with that distinctive voice, a mix of chainsaw and exotic bird. Mr Terracini is also within his right to tell his employees to shape up or ship out (I personally know of two OA singers who have been warned that the scales are not tipping in their favour). “You go to a movie and you see people who look exactly right for that role. They’re consummate actors and they’re completely involved in what they are doing, so their performance is totally believable,” says Terracini. Well that’s true, but the camera is right up close. Film…

September 7, 2012
features

Guy Noble’s Soapbox: Age Rage

Orchestras are obsessed with appealing to a younger audience; it’s time oldies took a stand. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

August 31, 2012
features

Soapbox: They’ll always be…

Is the listener bias towards English music, as demonstrated in the results of the recent Classic 100 20th Century, a symptom of a wider problem? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

August 16, 2012