2019 Pythia Prize announced
Bianca Gannon discusses her love of gamelan, ostinati, the optimism in her music, and what she will compose with the prize.
Bianca Gannon discusses her love of gamelan, ostinati, the optimism in her music, and what she will compose with the prize.
Sam Allchurch, who directs the concert, tells us about his choice of the Twelve Days of Christmas as this year's theme.
A newly downsized Guy Noble ponders the highs and lows of an extensive decluttering.
New, but not shocking: ACO Collective champions Muhly’s new concerto.
Ravishing music, virtuosic performances and an intelligent, contemporary production make for an unforgettable night.
Simone Young proves a masterful storyteller in Mahler’s epic fairy tale cantata.
Ahead of his 70th birthday bash, Victorian Opera’s Artistic Director tells Angus McPherson about honing his skills in the percussion section, the best (and worst) conductors, and the pleasures of opera.
Currently performing in Faust, the Albanian tenor discusses his early career success, working with Luciano, and what's next.
In his new wind quintet for the Omega Ensemble, Russian-Canadian composer Airat Ichmouratov tells his story.
A new initiative founded by Canberra flute player Sarah Grey seeks to take the angst out of funding, she tells Angus McPherson, by creating a one stop online shopping destination for arts philanthropy.
Dr Nolan discusses Bach's jubilant festive work as St George's Concert Series prepares to present it in Perth.
Sharon Grigoryan has curated a series of chamber music performances in the Adelaide Festival Centre’s Quartet Bar. She tells us what to expect.
Verdi's sacred masterpiece brought stunningly to life.