Review: Mozart’s Requiem (Canberra Symphony Orchestra)
Thoughtfully transmitted, thoroughly immersive and fittingly beguiling – all at once.
Thoughtfully transmitted, thoroughly immersive and fittingly beguiling – all at once.
A resoundingly successful concert shows us how Joe Hisaishi's music touches the hearts of movie fans worldwide.
Musical theatre stars Amy Manford and Josh Piterman sing a feast of favourites marred by sound issues.
Simon Stephens' portrait of working-class English life gets a sharp Australian premiere.
The brilliance of Dylan Van Den Berg’s writing lies in its ability to humanise the impact of colonisation in a way that resonates with a broad audience.
The old-fashioned immediacy and intimacy of theatre harnessed in a drama addressing the most frightening concerns of the post-global era.
The pitfalls of adolescence and the dangers faced by young women in a play that balances the comic and the compassionate with the cautionary.
A fine balance of contemporary and traditional works culminates in a drawn-out, roof-shaking finale.
Donald Runnicles has the audience riding along on a crest of a wave.
Performed at Fremantle Prison, Freeze Frame Opera’s Dead Man Walking is a landmark production, opera as catharsis and critique.
A brave program that set minds racing off into thoughts seldom contemplated in such depth at a concert hall.
Kathryn Selby’s new cello friend, SSO's Catherine Hewgill, makes for a trio made in heaven.
Dancers put body and soul into Raewyn Hill's new work, but the surprises lie in superbly played musical choices.