Carl Vine tells us about a “very daring” year of new artists and new works, as well as the long awaited return of some old friends.

An uneven presentation of this comedy from Wagner.

An authority on Australian music, Holmes will receive an award for distinguished service at this month's ceremony.

Ahead of the release of his period-instrument Winterreise for ABC Classics, the Australian baritone talks about preparing this monumental song cycle with the help of some 19th-century singers.

Ahead of his appearance as Baron Ochs in Melbourne Opera’s Der Rosenkavalier, the Australian bass discusses why the role is his very favourite.

The firebrand music educator and conductor looks back at his achievements, and what’s still to be done, following his award from Creative Partnerships Australia.

Alexandra Flood and Alex Raineri will be flying the flag in Stuttgart this September.

Sergio Tiempo’s sensational performance of Rachmaninov’s third Piano Concerto is an unforgettable highlight.

The ACO revels in the joyful complexities of Bach’s legendary Goldberg Variations.

Over the past two decades, Australian Heldentenor Stuart Skelton has quietly conquered the operatic world. He reveals how he discovered he wasn’t vocally bulletproof, and admits to an ambition to run an opera house.

The AFCM bids a fond farewell to Kathryn Stott's first Festival as Artistic Director in a lavish, three-act gala.

In our second In-Depth column, Chris Latham, artist-in-residence at the Australian War Memorial, explores the cultural losses of WWI ahead of The Lost Jewels concert at the NGA.