Currently Head of Contemporary Performance at the Sydney Opera House, Ebony Bott takes the reins at a critical time for Brisbane Festival.

The versatile and powerful accordion wasn't invented during JS Bach's lifetime, but chances are he would have used it if it had been.

No Queen but this airing of Czech chamber specials reaches sublime heights.

Like any good casting director, AFCM's Jack Liebeck knows how to curate an impressive opening-night lineup.

Sydney Fringe Festival announces its city-wide takeover and turns the lights back on at one of the city's shuttered venues.

Unsound Artistic Director Mat Schulz chats about the festival's record label; an enduring artefact of an ephemeral moment in time.

This year's Festival of Voices gets off to a sublime start with choirs from New Zealand and Spain and a return visit from Germany's Sjaella.

The AFCM's new Emerging Composer initiative will see young composers have their works performed, toured, recorded and released.

Now tracking the duration of works performed, Donne found that only 8.6 percent of the BBC Proms runtime was allocated to female composers.

Julian Hobba joins Adelaide Festival after stints as Executive Director of State Theatre Company South Australia and The Blue Room Theatre, Perth.

Arriving in Australia this month, British clarinettist Michael Collins chats about his fast-paced career and surviving two terrible setbacks.

Mat Schulz, the co-Artistic Director of Kraków’s Unsound festival, unpacks his 2025 program for Illuminate Adelaide.