Review: Barracking for the Umpire (Black Swan State Theatre Company of WA)
This cracking new play by Andrea Gibbs is full of Aussie slang, but is powerful and beautiful as it addresses serious issues relating to footy.
This cracking new play by Andrea Gibbs is full of Aussie slang, but is powerful and beautiful as it addresses serious issues relating to footy.
Enter the SOH Studio, transformed into an opulent hotel lobby where no one is quite what they seem, and you will be immersed in a delicious escape from reality.
Richard Mills’ take on a timeless Chinese love story finally gets its world premiere.
Features include a look at Amanda Lee Falkenberg's musical space odyssey The Moons Symphony, the artists restoring the oratorio's theatrical setting, why Fidelio invites tinkering, and an interview with lawyer-turned-playwright Suzie Miller.
This visceral, surreal, high-tech drama is often compelling but the message never quite coheres.
This 70th-anniversary production, directed by Robyn Nevin, respects the period and style of the play, and has been exceptionally well cast. Old-fashioned it may be, but it's highly entertaining.
Wodunnit fans have a double dose of murder mysteries to indulge in. Robyn Nevin discusses the fun and challenge of directing The Mousetrap, while See How They Run hits our cinema screens.
Artistic Director Kip Williams shares his insights into a season that is dominated by Australian work, with six world premieres and four commissions.
Mindy Meng Wang is one of nine artists to be awarded the prestigious two-year fellowship to help develop their creative practice.
Four decades since its premiere, Larry Kramer's pioneering play is still beating strong in this powerful revival directed by Dean Bryant.
The creator of Cirque du Soleil’s first Las Vegas shows suffered a heart attack on Friday, leaving behind a legacy that continues to change the way we perceive the world around us.
If you love the musicals of Boublil and Schönberg, this concert is a real treat, with an impressive lineup of soloists nailing the songs and sharing stories about their connections to the roles.
Virginia Gay’s adaptation of the French classic is truly, madly, deeply modern.