Anton Arensky’s death at 45 robbed Russian music of a great composer. In the dramatic contrasts and mastery of form in his Piano Trio of 1894, the music surges like tides, contrasting with passages of exquisite clarity and fleet-footed energy. At its heart is an elegy for a young cellist, whose instrument is allowed to sing its lament.

Gerald Finzi described his Bagatelles as mere trifles, yet they hum with gentle nostalgia, especially in this arrangement for clarinet quintet by Christian Alexander.

Eighth-century Chinese poet Li Po mourned human impermanence but created indelible images of mountains and rivers, clouds and the moon. Australian composer Maria Grenfell’s Poems of Bright Moon renders some of these images in music of lapidary clarity.

George Crumb turned to the larger rhythms of nature for his masterpiece Vox Balaenae, in which the songs of whales and sea birds against the endless roiling of the sea are by turns majestic and haunting.