We talk with musicians and medical experts to investigate the movement disorder that can end a musician’s career, and the search for a cure.

Christos Tsiolkas explains why he felt compelled to put his fear aside to co-write the libretto for Watershed: The Death of Dr Duncan.

The Artistic Director of Tasmania’s Festival of Voices shares her excitement at what’s in store this year.

Music in the Regions heads for Broken Hill to present William Barton and Véronique Serret’s Heartland.

Lachlan Skipworth has always enjoyed writing for the flute. His new concerto was written especially for WASO's Principal Flute, Andrew Nicholson.

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As he prepares for the Australian Festival of Chamber Music, baritone Roderick Williams talks how he became “the go-to guy” for English song.

A sublime new recording of Handel’s Theodora, recitals from Véronique Gens, Roderick Williams and Michael Spyres, and a Russian blockbuster from Sir Antonio Pappano.

Ahead of a Sydney season, the French dancer and choreographer (of Black Swan fame) reflects on the music that shaped him.

Iranian-Australian musician Gelareh Pour explains how she fell in love with the “deeply Iranian” string instrument, sometimes called the Persian spiked fiddle.

Liza Lim unveils three world premieres in Australia in the coming months. She unpacks them and explains why she sees artists as “antennae”.

First Nations choreographers Moss Te Ururangi Patterson and Deborah Brown talk about working together on Bangarra's first mainstage international collaboration.