Aaron Wyatt’s invigorating music transposes Vivaldi’s conceit to Noongar boodjar.

An intimate survey of Dessner's virtuosic, minimalism-flecked compositions packed a thrill of a closer.

We examine Australia’s orchestral fellowship and mentorship programs to discover what they offer the participants.

As he puts his finishing touches to his new Flute Concerto, Joe Chindamo tells Jansson J. Antmann how he has translated Dorothy Parker’s cynicism into music.

James Ledger discusses his new Clarinet Concerto, composed especially for Perth-based musician Ashley Smith, one that pushes the instrument to the edge of its capabilities.

A welcome (and terrifying) reminder of how powerful the melding of film and music can be.

Tuneful and well-crafted, what’s not to like about Cedric Thorpe Davie.

Ten Australian composers will see large-scale orchestral works recorded at Trackdown Studios this October.

The MSO flips the script on the ways in which movie music and sound effects are experienced.

From symphonic reinvention to new theatrical worlds, Limelight's September issue spotlights artists reshaping tradition while forging their own futures.

Log in to read the flipbook version of Limelight's September 2026 magazine.

Ahead of his Sibelius cycle with the ASO, Mark Wigglesworth talks about the composer’s radical reinvention of the symphony.