Review: Shostakovich: Symphony No. 8 (Frankfurt Radio Symphony Orchestra, Alain Antiloglu)
Antiloglu captures the magnificence but harrowing ambience of wartime Russia.
Antiloglu captures the magnificence but harrowing ambience of wartime Russia.
Screen legend takes 60-year musical journey through the remains of the day.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
With a week to go to vote for your favourite tracks in Limelight's Guide, the AMC's Catherine Haridy talks up the importance of Australian art music.
Simone Young talks about Wagner, the differences between Bayreuth and the Sydney Opera House, and why Salome is perfect to follow the SSO's Ring Cycle.
Ella Macens introduces her new Sydney Symphony Orchestra commission – a deeply personal reflection on lineage, gratitude and the passage of time.
Following a triumphant showcase of all nine Beethoven symphonies in 2024, the Melbourne Symphony Orchestra returns with a Brahms festival. Jaime Martín tells us why.
The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
A seafaring debut from Beth Taylor, piano albums from Mitsuko Uchida and András Schiff, opera from Verdi and Handel and a Kurt Weill blockbuster.
Cameron Lam features movement and momentum in this month's playlist, looking at Australian Classical, Jazz, and Sound Art releases through the lens of drift.
A groundbreaking collaboration between the ASO and First Nations musicians and composers bridges cultural and musical traditions.
Aaron Wyatt’s invigorating music transposes Vivaldi’s conceit to Noongar boodjar.
An intimate survey of Dessner's virtuosic, minimalism-flecked compositions packed a thrill of a closer.