Learning music as a child has untold benefits, yet music education is contracting in Australia. Anita Collins discusses how impactful it can be for each and every student at a range of different schools.
With a surge in hyper-local creativity, it’s time to look to the regions as we reevaluate Australian culture.
Two wildly different, inventive stage adaptations, running concurrently in Sydney, are replacing Jekyll and Hyde's simplistic dichotomy with something far more complex.
Has the guiding principle of art been killed off by postmodernism?
Australian soprano Ali McGregor has formed a company to create concepts for new operas – one of which, The Call, will premiere at Opera Queensland, with McGregor starring. She explains how and why The Call came about.
Eugene Ughetti discusses the changes he’s seen since founding Melbourne’s Speak Percussion 20 years ago, and their latest project Scream Star.
Alain Boublil and Claude-Michel Schönberg discuss the concert spectacular Do You Hear the People Sing?, which charts their 50-year collaboration.
A text message from his daughter got Guy Noble and his friend Teddy Tahu Rhodes thinking about how comforting (and amusing) it would be to have an emotional support animal or person on stage.
A round-up of our recent news reports.
The latest arts appointments and departures.
Shostakovich’s jazzy side leads the field, with ear-ravishing Ravel, Carl Vine’s piano sonatas and Matthias Goerne’s collaboration with Daniil Trifonov in hot pursuit.
The Australian composer and former opera singer discusses her new song cycle, Four Lost Songs, which will be performed by the Darwin Symphony Orchestra and soprano Rachelle Durkin as part of Darwin Festival.
Perhaps the solution to the never-ending debate about when to applaud at classical music concerts is to ban all applause.
