Lyn Williams discusses Hypnopompia, an "astounding" and "challenging" piece in which the choristers discuss being a teenager in an uncertain world and the need for change.

Composer Frank Wildhorn and producer Joshua Robson discuss why the story of the famous bank robbers touches a nerve and why audiences root for them.

Sydney Chamber Choir’s Artistic Director Sam Allchurch explores how their next concert, Innocence & Experience, draws on the Choir’s two major visions since it was founded nearly five decades ago.

Elizabeth Lewis tells an extraordinary story and describes her collaboration with Brenton Broadstock.

The Festival of Voices is back. Graham Abbott discusses one of the program highlights: Handel’s four Coronation Anthems.

Cameron Lam looks at the fresh faces creating inclusive and reflective music across the country.

Alex Gorbatov and Bailey Montgomery discuss the importance of LGBTQIA+ stories in classical music.

Leah Curtis tells us about her new work The Ground, and the chance to collaborate closely with SXS Didgeridoo player Chris Williams during its creation.

She first started scribbling things in her script of My Fair Lady when Dame Julie Andrews directed her as Eliza, now Anna O'Byrne is about to star in her first solo show.

The marriage of music and breathtaking landscape proved a magical experience for audiences, and for the musicians and singers.

Ahead of Sydney Con Jazz Fest, the composer, arranger and conductor talks about her whirlwind two years.

Li Cunxin discusses his many achievements as QB Artistic Director, as well as the challenges in recent years, and the celebratory triple bill Li's Choice.