The celebrated Australian pianist talks about how life has changed in recent years, from livestreamed concerts to travelling less, and his plans for the future.
Lynden Barber compares a new UK comedy series about an actors’ agency and its French original.
The pianist talks about her remarkable career, from child prodigy to her years in New York, and moving back to Sydney.
Ukrainian bandura player and vocalist Larissa Kovalchuk discusses her training in Kyiv, the constant pressure from Russia, the horrors of the war, and taking part in a fundraising concert in Canberra.
The Russian conductor talks to Clive Paget about how he fell in love with the music of Mahler as a schoolboy back in Leningrad in the 1950s.
Currently starring as Anna in Frozen the Musical, the exciting young performer tells us about her new studio album, which includes musical theatre numbers and an original song.
Neuromusical educator Dr Anita Collins explains what happens in the brain when we listen to music, and how fireworks really explode when we play an instrument or sing together.
Forging his own unique sound, didgeridoo virtuoso and composer William Barton has introduced a refreshing new voice to Australian classical music.
"I’m still pinching myself," says Lake as her career hits top gear with her latest work, Manifesto.
As Opera Australia searches for a new Artistic Director, Peter Tregear argues that it’s time for the company to find a fresh artistic vision predicated on the belief that opera has something important to offer the public.
There are so many euphemisms for dying, but we will only be truly dead when everyone who knew us has ‘passed on’.
Jack Liebeck explains how his life fell into place when a violin was put into his hands at age eight, and how he has programmed the Australian Festival of Chamber Music, where he is the new Artistic Director.
It’s time for ageing audiences to put their demands for old-fashioned opera out to pasture.
