On the eve of his visit to Melbourne and Perth, the renowned UK-based conductor discusses the rise of music in UK schools and his hope of starting a Russian-Ukrainian orchestra when the conflict is over.

Cameron Lam explores Australian music written for brass instruments, from tubas and trombones, to double bell trumpets and a 19-century ophicleide.

"Once in a while, everyone needs to be heard." Meg Bignell's new novel The Angry Women's Choir has just been published. Here is an extract.

"If the human voice is not a miracle, it’s bloody close," says Meg Bignell, whose new novel The Angry Women's Choir is released today. In this essay she discusses finding and using your authentic voice.

Ahead of their Melbourne concert, the award-winning guitar duo talk about their studies in New York and the importance of music in today's world.

The globe-trotting, game-changing violist talks about what has changed since COVID, playing chamber music with Joshua Bell, and how arts funding in Germany isn’t as idyllic as it seems…

Tapping into the deeper sense of community that emerged during COVID, the Fidelio Quartet's Rachel Atkinson has programmed a chamber music festival with the support of a Camberwell church.

Director Alex Timbers discusses the challenges of adapting Luhrmann's film Moulin Rouge! for the stage, his new children's book and the show he's dying to take to Broadway.

Karin Schaupp takes us inside – literally – her newest project, which is heading to the Adelaide Guitar Festival in July.

Claire Pullen, Executive Director of the Australian Writers' Guild, argues that content quotas are essential to supporting Australian stories and storytellers into the future.

Principal Violin Helena Rathbone discusses the ACO's current concert, which features a Bach family reunion.

Carl Vine introduces his new clarinet quintet for Omega Ensemble, inspired by the cooperation, collaboration, and mutual understanding he experienced as a mentor for the ensemble's CoLAB program.