Tania de Jong discusses the creation of the new musical based on the lives of her grandparents, Austrian/Australian sculptor Karl Duldig and his artist/inventor wife Slawa Horowitz-Duldig.
Cameron Lam looks at a range of exciting new work coming out of the Sunshine State.
The Adelaide based composer talks about his new piece for the Canberra Symphony Orchestra exploring the night sky, astronomy and all things celestial.
There's not much about the Phantom that Guy Simpson doesn't know, having worked on 15 productions since 1990, so how has he approached OA's Sydney Harbour production?
The Western Australian soprano discusses her role in WA Opera's Iolanta, which centres the lived experience of the blind and vision impaired community, and the language challenges inherent in opera.
Founder Fabian Russell looks back at 20 years of Australia's mentor-led training program.
Between COVID border closures and war in Ukraine, Julia Fredersdorff says Van Diemen's Band's Borderlands project could not be more relevant.
Cyrus Meher-Homji discusses the challenges of distilling 24 years of recordings into one box set.
The violist previews her second Music, She Wrote festival, which explores all the ways in which women have had to fight for their place in the music industry.
Direct intervention by governments in arts subsidy has increased dramatically in the past decade, says Josephine Caust in this extract from her new, free Platform Paper Arts, Culture and Country.
Director Constantine Costi details the challenges and excitements of adapting two works by Weill and Brecht for the tiny stage at Sydney's Old Fitz.
Sainsbury writes about how composing, for him, is work, art, cultural expression, and often an expression of play and fun within those.
In his new book, Australia in 50 Plays, Julian Meyrick looks at how our national drama has shaped and mirrored Australia's history since Federation. We run an extract.
