The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Rather than sanction Russian music, why don’t we focus on Ukrainian music – and learn more about it.

Leah Purcell discusses her new film, which is based on Henry Lawson’s short story The Drover’s Wife, but told from the perspective of an Indigenous woman in a radical, important reimagining.

This month’s concert highlights from ABC Classic, independent radio and streaming.

Bell Shakespeare’s Artistic Director tells us how he became involved with theatre after studying the flute, and why the musicality of the writing drew him to Shakespeare.

This month’s musical journey takes us from the choir stalls of Westminster Abbey to an eerily haunted music hall and winds up with a legendary blast from the past.

Why 86-year-old Sydney luthier Harry Vatiliotis agreed to make one final violin.

The Creative Director of the Four Winds Festival tells us about her second and final program.

Log in to read the PDF version of Limelight's April 2022 magazine.

Leading period clarinettist Craig Hill is “a constant tinkerer”, as he attempts to get one step closer to the perfect basset clarinet.

Cobar Sound Chapel's transformation from remote water tank to a meditative sound chapel.

My most ambitious collaboration yet with visual artist Sal Cooper is an aural and visual excursion into the musical fugue.