Director Constantine Costi details the challenges and excitements of adapting two works by Weill and Brecht for the tiny stage at Sydney's Old Fitz.
March 25, 2022
Sainsbury writes about how composing, for him, is work, art, cultural expression, and often an expression of play and fun within those.
March 25, 2022
In his new book, Australia in 50 Plays, Julian Meyrick looks at how our national drama has shaped and mirrored Australia's history since Federation. We run an extract.
March 23, 2022
The Sydney Symphony Orchestra’s Concertmaster discusses an upcoming concert he has programmed, full of rare delights.
March 23, 2022
West Australian Opera, in collaboration with Blind Citizens WA, gives Iolanta, the blind princess in Tchaikovsky's opera, the chance to tell her own story.
March 22, 2022
The Choir's Music Director talks about their latest album, Limelight's Recording of the Month for April.
March 22, 2022
Anna Martin-Scrase takes us on the road for the inaugural Music in the Regions tour.
March 21, 2022
With Easter on the horizon, the ABC Classic concert schedule for April features a number of concerts for Holy Week, from Bach to contemporary Baltic composers.
March 21, 2022
Elizabeth Anderson of the Australian Chamber Choir gives voice to an orphan girl taught by Vivaldi.
March 21, 2022
The latest arts appointments and departures
March 21, 2022
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
March 21, 2022
Rather than sanction Russian music, why don’t we focus on Ukrainian music – and learn more about it.
March 21, 2022