Read the March 2022 issue of Limelight online
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February 21, 2022
Diva or Canon Fodder?
Opera’s gendered violence is a complex issue, with no easy fix
February 21, 2022
Electric Shock
Why has classical music been so slow to incorporate electric instruments?
February 21, 2022
La Juive: Grandest of the Grand
Once hugely popular, now rarely seen, Halévy’s La Juive returns to the Australian stage.
February 21, 2022
Paavali Jumppanen: In Search of Adventure
Why Finnish concert pianist Paavali Jumppanen was drawn to ANAM.
February 21, 2022
My Music with Mitchell Butel
Musicals, opera, film scores, classical guitar and the incomparable Stephen Sondheim are all part of the rich musical tapestry that inspires the State Theatre Company South Australia Artistic Director.
February 21, 2022
On Air & Online: Radio and streaming in March 2022
This month’s concert highlights from ABC Classic, independent radio and streaming.
February 21, 2022
Ruth Slenczynska: Her life in music
A child prodigy in the 1920s and a Decca artist in the 1950s and 60s, 97-year-old American pianist Ruth Slenczynska has now been re-signed by the label.
February 21, 2022
Newsworthy: March 2022
A round-up of our recent news reports.
February 21, 2022
Comings and Goings: March 2022
The latest arts appointments and departures.
February 21, 2022
On the Record: What’s new on disc in March 2022
An eclectic month kicks off in Hollywood style with John Williams in Berlin, delivers a trio of early music gems, and ends with a ‘très jolie’ romp from the Opéra Comique.
February 21, 2022
The highlands are alive with the sound of music
Myee Clohessy discusses this year’s ambitious Bowral Autumn Music Festival.
February 21, 2022
Guy Noble’s Soapbox: Safe and sound?
Forced into box-ticking to be allowed to work (safely) at the Sydney Opera House, Guy Noble suddenly had an egotistical thought . . .
February 21, 2022