Forced into box-ticking to be allowed to work (safely) at the Sydney Opera House, Guy Noble suddenly had an egotistical thought . . .

Joseph Tawadros recalls how he got hooked on the oud, and how the instrument – and the teaching of it – is evolving as it becomes more accepted into orchestras around the world.

Has the time come for us to take a serious look at the way we teach music to children?

After a gruelling few years writing songs for Broadway musicals, Eddie Perfect is happy to be back on the boards in 9 to 5 the Musical, and has plenty to say about critics.

Have COVID delays led to a more in-depth exploration of original ideas by contemporary music makers?

The Australian composer discusses his new oratorio Watershed: The Death of Dr Duncan, which premieres at the Adelaide Festival.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

John Wardle from the Live Music Office laments the recent closures of three high-profile venues in NSW, and looks at how we can make nightlife vibrant after COVID.

Ahead of Haydn’s Solar Poetics, their three-concerts-in-a-day extravaganza, Australian Haydn Ensemble artistic director Skye McIntosh talks about the year ahead - AHE's 10th.

Director Simon Phillips and actors David Campbell and Amber McMahon discuss the hugely successful stage adaptation of Hitchcock's spy thriller as it arrives in Sydney.

Cameron Lam spotlights the violin and its repertoire, from solo works to concertos, players and composers in this month's playlist of Australian art music.

Pinchgut's AD talks about 'old' pianos and curating a multi-concert series at UKARIA, running over a long weekend, for the Adelaide Festival.