The 12th-century nun’s influential work represents an important development in the history of music.

The Adelaide composer speaks about her remarkable last two years, and forcing herself to make room for her own work.

Cameron Lam's playlist for September focuses on the digital and analogue, and how we use technology to describe our world and express ourselves.

We're about to find out what happens when a computer, using algorithms created by Alisdair Macindoe, takes charge of choreography, music, lighting and costumes in a live dance performance.

In his Opera Column for September, Greg Eldridge looks at how COVID has given rise to organisations with a greater focus on local communities and their values.

By casting Albee's classic cross-racially, and using Australian accents, Margaret Harvey aims to reveal race-power relations in her production for State Theatre Company South Australia.

Limelight has been looking at whether the music our orchestras play genuinely reflects our society, and to what extent it ought to. Our readers have responded passionately and eloquently.

The new Content Manager for ABC Classic and ABC Jazz discusses the changing landscape in Australia, and how the ABC can help as we emerge from lockdowns.

One of Australia's leading percussionists and advocates for change is determined to diversify the repertoire – even if she has to do it all herself.

On the streets of suburban Brisbane this month, audiences will see ballet performances and classes, be enrapt in chamber music and listen to an array of sopranos as part of Brisbane Festival. 

Based in Europe, Australian soprano Alexandra Flood is back home for a few months and discusses her career, quarantine at Howard Springs, forthcoming gigs and making the most of it during COVID.

Guy Noble suggests ways of keeping busy during lockdown: maybe we need al fresco orchestras?