A new exhibition explores the history of the performing arts in Australia through posters, letters, costumes and more.

Cameron Lam explores new and recent releases, including orchestral masterpieces, electronic wonders, intimate chamber music, and those that blur the lines beautifully.

Responding to Dr Caitlin Vincent's feature on gendered violence in opera, reader Stephen Kershaw argues that these heightened and passionate deaths are an essential part of opera.

Speakers from around the world swapped despair for realistic and practical ideas about how the arts industry could help trigger a series of seismic ecological shifts.

There is a sense of artistic transformation in the Perth-based composer's new album of chamber works.

A conductor and composer map out a journey through Mozart's final masterpiece for Sydney Philharmonia Choirs.

Should Victorian-era melodrama give way to deeper explorations of the author's intent in staging legacy operas?

After a very long time away, the Sydney Symphony Orchestra’s Concertmaster returns to the stage this month for the Orchestra’s Autumn Season.

Prayer for the Living features music by Vasks and Ravel alongside Boulanger and Poulenc.

In an opinion piece in the Sydney Morning Herald, Cat-Thao Nguyen said she left OA's Turandot after Act 1 feeling "utterly sick" at the racism. We look at the complex issue.

Executive Director Janine Collins discusses the aims of the initiative and the inaugural tour by the Acacia Quartet opening tonight.

The gut-string evangelist explains her trio's blend of ancient, modern, and just a bit of trad.