Jack Frerer discusses his new work, commissioned by Musica Viva Australia, and explains why he likes composing for instruments he can’t play.

Eugene Ughetti tells Maddy Briggs about his new work for Speak Percussion, which involves trap machines, flying clay and two live percussionists.

Sam Allchurch talks about his love of choral music, his various plans for the Sydney Chamber Choir and its 50th-anniversary gala.

As he prepares to play Vaughan Williams’ Tuba Concerto, the ASO's youngest musician discusses his love of the low-pitched brass instrument.

After spending a relaxing time on a virtual tropical beach, Guy Noble wonders if a little more virtual reality might be in order.

Deborah Humble tells us about her role debut as Delilah and why mezzos get stuck in "witches, bitches and britches" roles.

A prolific artist, stand-up comedian and presenter on television and radio, Limelight’s resident cartoonist may move with the times, but his musical tastes never do.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

This month features three homegrown blockbusters, two new takes on Ravel, women’s-eye views of Venetian Baroque, a haunting Faerie Bride and a Flying Dutchman for the library.

The latest arts appointments and departures.

A round-up of our recent news reports.

Jill Rivers talks about meeting Vaslav Nijinsky’s daughter and his decidedly odd grandson while researching her book about the dancer.