In his Opera Column for September, Greg Eldridge looks at how COVID has given rise to organisations with a greater focus on local communities and their values.
By casting Albee's classic cross-racially, and using Australian accents, Margaret Harvey aims to reveal race-power relations in her production for State Theatre Company South Australia.
Limelight has been looking at whether the music our orchestras play genuinely reflects our society, and to what extent it ought to. Our readers have responded passionately and eloquently.
The new Content Manager for ABC Classic and ABC Jazz discusses the changing landscape in Australia, and how the ABC can help as we emerge from lockdowns.
One of Australia's leading percussionists and advocates for change is determined to diversify the repertoire – even if she has to do it all herself.
On the streets of suburban Brisbane this month, audiences will see ballet performances and classes, be enrapt in chamber music and listen to an array of sopranos as part of Brisbane Festival.
Based in Europe, Australian soprano Alexandra Flood is back home for a few months and discusses her career, quarantine at Howard Springs, forthcoming gigs and making the most of it during COVID.
Guy Noble suggests ways of keeping busy during lockdown: maybe we need al fresco orchestras?
The ABC Classic concert schedule for September showcases the BBC Proms, plus Opera Australia's Ernani and the pick of Australia's finest orchestras.
Celebrating the German composer whose farsighted innovations forever changed our approaches to composing and listening.
Dead Puppet Society's new production Ishmael is a contemporary reimagining of Herman Melville's Moby Dick, set 1000 years in the future in outer space.
Our recording of the month for September looks in detail at 1785, an incredible year in Mozart's life. Soloist Leif Ove Andsnes talks to Clive Paget about Salzburg, Vienna, and the magic of Mozart.
In the dangerous world of Joseph Stalin’s Russia, an embattled Dmitri Shostakovich unveiled a new symphony that would miraculously please both audiences and the authorities. Angus McPherson speaks to Asher Fisch and Mark Wigglesworth about the music that changed the composer’s life forever.
