As Sydney Chamber Choir premieres his new song cycle, Joe Twist discusses his musical inspirations, and working between Hollywood and Australia on animations to the concert hall.

The composer reveals how a recording of an ice core melting broke his heart and inspired this piece of music.

The art's for sale, from Stephen Hough's erotic surge to Nathaniel Boyd en plein air.

Andrew Haveron, Ben Jacks, Scott Kinmont and the SSO horn section discuss Britten and Shostakovich, Mozart, Tchaikovsky and 50 Fanfares.

This program of artsong concerts, performed by four solo singers for Sydney Chamber Opera, will illustrate where the modern song has found itself in the 21st century.

Australians deserve to hear a great deal more music by First Nations peoples, women, gender non-conforming people, composers of colour, and our male contemporaries argues Felicity Wilcox.

The Ukrainian-born pianist talks about returning to live performance and his love of the Romantics ahead of his upcoming Sydney recital.

A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.

The French horn maestro talks about his Musica Viva tour and all things horn.

The musical performer discusses playing the Phantom in the West End and now for Opera Australia, as well as panic attacks and the power of meditation.

The composer tells us about his new work, which was commissioned by Mark Wakely in loving memory of Steven Alward.

Phillip Scott responds to our article Do Our Arts Reflect Us? and argues against looking at classical music programming through the prism of 21st-century ideas of diversity and gender equality.